By Chris Meigh-Andrews
Tracking the altering types of video paintings in terms of the revolution in digital and electronic imaging that has taken position over the past 50 years, A background of Video Art orients video artwork within the wider paintings old context, with specific connection with the shift from the structuralism of the past due Nineteen Sixties and early Seventies to the post-modernist issues of the Nineteen Eighties and early Nineteen Nineties. the hot variation additionally explores the results of the internationalisation of artists' video within the interval prime as much as the recent millennium and its matters and preoccupations together with post-colonialism, the post-medium situation and the effect and effect of the internet.
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Extra resources for A History of Video Art
A History of Video Art by Chris Meigh-Andrews